The Cherry Festival

Just recently, I was asked by a Moroccan reader of this blog, who wrote from Alberta, Canada, if I had photos that I could share of the Cherry Festival.

Now, Morocco, spectacular for its natural beauty, is also be a country of spectacles. For me, the Marrakesh Folk Festival comes to mind immediately, along with the various celebrations of holy men and religious fraternities although there are many other culture and sports events. Still, there are many smaller festivals that are less well-known. Among them, the Cherry Festival in Sefrou is the oldest, having been founded in 1920.

Sefrou, only 28 kilometers south of Fes, has one of the best known local festivals, La fête des cerises. This ancient city, very close to Fes, has traditionally been the last truly urban place south of Fes, on a road formerly known as the treq es-sultan, the king’s road. A major highway follows the old caravan route, crossing the Middle Atlas Mountains, descending onto the plains of the upper Moulouya River, and then rising again to cross the High Atlas Mountains to end in the Tafilelt, birthplace of the ruling Alouite dynasty, on the very edge of the Sahara. Today tourists travel that highway to reach the impressive sand dunes at Erfoud, and truckers carry their cargos of manufactures and dates and saffron to and from Fes, braving slippery snow-covered roads on the Middle Atlas plateaus.

This table d’orientation, a very French object, stood in the gardens of the Palais Jemaï hôtel high above the the city of Fes, and pointed out important landmarks to the south. A view from the Oued Agaï represents Sefrou, but after the flood of 1950, the city might have been better symbolized by its gardens—or cherries.

Once a home to a very large Jewish community, many Jewish tourists now visit the city since the establishment of diplomatic relations between Morocco and Israel. There are several websites dedicated to documenting the Jews of Sefrou, and the city itself dates back to the time of the founding of Fes or perhaps even earlier.

“A city buried in the trees.” Early postcard with a part of the Kelaa in left foreground.
An early map of Sefrou shows almost all the city’s structures enclosed by the defensive wall. The French were developing the area outside the wall to the west for themselves. My house, inside the wall, had not yet been built and its site was a still a garden.

Not long after I moved to Sefrou in 1968, I attended Sefrou’s Cherry Festival for the first time. Gaylord Barr was already in Sefrou working at the Ministry of Agriculture CT (Centre des travaux agricoles). Jerry Esposito, who had been teaching English at the newly opened lycée, may have completed his service and already left the country by time of the festival in June. Carolis Deal and John Abel, who had started the primary school chicken coop that I took over, also had left.

Gaylord Barr, Marc Miller, and Phil Morgan, all Morocco X volunteers. 1968

Several other volunteers showed up in Sefrou to attend that year: Phil Morgan, Marc Miller, and Steve Boeshar.

Sefrou’s proximity to Fes and easy access made the Cherry Festival a major regional attraction, and, with volunteers already living in Sefrou, accomodation was never a problem for the visitors.

Jan, Ruth, and Gaylord all taught English at the lycee. During the 1970 festival.

I knew little about the event, other than it featured cherries. Moroccans call cherries hab el-moulouk, which mean the love of kings, and the local variety, el-beldi, is reputed to be especially sweet and flavorful. Sefrou occupies a mountain depression at a high enough altitude for cherries to thrive, but the city had many other fruits and vegetables in the old gardens that surrounded it. In the orchards grew oranges, pomegranates, figs of more than one variety, and many olives trees. I really liked the local strawberries more than the cherries.

Picking strawberries in the spring. 1969
This field was only a couple of minutes walk from the medina.
Picking strawberries with Mohammed and Ali. Note the olive groves. 1970

The city population has more than doubled since I lived there, and the built-up area has spread far beyond the old city’s walls. The growth surprised Gaylord Barr who stopped in Sefrou on a trip home from Saudi Arabia in 1997. In my memory, the extra-muro areas, excluding the ville nouvelle, were mostly limited to the Derb el-Miter, Habouna and Seti Messaouda quarters. I make this digression into the demography and urbanization of Sefrou before the sprawl simply to underline how easy it used to be to walk out of the medina, and, within a few minutes, be in the gardens that surrounded the city. On Fridays women would walk in groups, small children in hand, to picnic in the orchards, eating fresh fruit, getting some fresh air, and, of course, gossiping over tea. I loved the proximity to the country and took frequent walks to the neighboring village of Bhahlil, famous for use as caves for dwellings.

A stroll to the gardens, along the wall of the old Jewish cemetery. 1969

People used to talk about Sefrou before the flood. I wonder if they now talk about Sefrou before the sprawl, the time when almost everyone, save the rich and powerful and foreigners, lived in and around the medina. The gardens and orchards of Sefrou characterized the city in those days, and sometimes travelers not unsurprisingly likened the city to an oasis.

A view looking southeast. The Jewish cemetery is located in the lower left of the photo. Sefrou occupies a bassin, with hills surrounding most of it. 1969

The term moussem has been used to describe the festival, but from what I can gather, the Cherry Festival, created around 1920, was celebrated more as an agricultural fair in the European or American sense. The word moussem often has the meaning of a religious pilgrimage to the tomb of a local saint, common in the Maghreb. There were several zawias, or religious brotherhoods, located in Sefrou, as well as a marabout and a few special places sacred to the locals, but I never witnessed a regional religious celebration on the scale one finds at Moulay Bouchta or Jbel Alam. The Cherry Festival appeared to be a uniquely secular event in a country where religion permeated daily life and most public ceremonies. The selection of a “Miss Cherry” and parading the young woman struck me as at odds with Muslim values.

There were, of course, the usual tented dining facilities for local dignitaries that one would find at any public Moroccan celebration as well as hawkers of wares, foods, sweets, and drinks. People from the medina and the countryside circulated in the ville nouvelle.

Women resting in the shade. 1968
Strolling among the tents on the edge of the ville nouvelle. 1968
A water carrier refills at a public tap. 1968
Different generations regard each other. 1968
Gaylord in a crowd of kids.…
…and chatting with a Berber horseman about his mount. 1968
Amusement rides were a special treat outside major cities. 1968
Along the main street of the ville nouvelle, people gathered to watch the parade. 1970 or 1973
The main street on a more typical summer day. The hustle and bustle of city life was in and around the medina. The ville nouvelle spread up the slopes to the right. Perched at the very top was a French fort and military barracks and a marabout. 1969

A jury of prominent locals selected a Miss Cherry, who was paraded down the main street of the ville nouvelle aboard a float. One of the floats that first year also featured dancers performing as they were carried along.

Professional dancers from the Middle Atlas. Dancing was only one of their professions according many Moroccans. Photo by Gaylord Barr. 1968
The dancers with a musician, outside the tent of the notables. Photo by Gaylord Barr. 1968
Dancing for the crowd. Photo by Gaylord Barr. 1968
Spectators.

The parade included the public display of a woman quite unusual in a land where women covered themselves in public. The crowds along the main street of the ville nouvelle were curious.

The crowds along the parade route were dense and mostly women and children.
The float of the Ministry of Agriculture.
The poster on the float shows the benefits of modern plows.
A water carrier offering drinks to the crowd.
Miss Cherry. 1969 or 1970.
Women and children sitting along the curb.

The festival did offer the opportunity for religious brotherhoods to perform, perhaps as entertainment for the spectators, but as serious ritual for the performers.

I have always referred to those I saw as Aissawa, which would have made them part of the Sufi brotherhood centered in Meknes. A large shrine with a mausoleum where the Sufi master lies, Ben Aissa, who is also referred to as shaykh el-kamal, the perfect leader, exists in Meknes. An important moussem takes place there every year on the day celebrated for the birth of the Prophet Mohammed, the Mouloud.

The courtyard before the sanctuary in Meknes on the Mouloud.
Part of an Aissawa procession in Meknes.

In the first Cherry Festival that I attended, a group of Aissawa or, perhaps, Hamadsha, who ate fire and handled biting snakes, danced themselves into a trancelike state. A few of the photos show the wide-eyed faces of onlookers: these performances were far from the formal rituals of everyday Islam!

The men danced in a circle, chanting and beating their breasts. Photo by Gaylord Barr. 1968
One of the musicians. Photo by Gaylord Barr. 1968
The instruments were all traditional.
Dancers would take turns performing in the center of the the circle. Most of these shots were on Kodak Ektachome film. The processor botched this one: the center of the image should not be pink. Today it is so simple to take photos and, with film no longer widely used, electronic cameras and cell phones can capture and store a truly enormous amount of pictures. I had either 20 or 36 pictures on a roll of film, the film was expensive, and its sensitivity was limited to bright conditions.
Chanting and dancing. The amulets held religious writings.
As the music continued…
…the dancing continued. The man on the right has snakes draped around his neck.
Fire eating became part of the ritual. I love the looks on the spectators’s faces. They group began by asking the crowd for contributions or donations.
Fire and snakes.
The fire was real…
…and the snakes were certainly real. I could see blood oozing from the punctures of the snake bites.
One could carry snakes and eat fire. The show was mesmerizing and, if I hadn’t been taking photos, my face might have shown as the same rapt attention as the faces of the spectators in these photos.

The festival traditionally lasted three days, though I only remember one day. The following year, 1969, I may have been away during the festival. In 1970, I once again attended. That year there was a fantasia, a traditional display of powder play and horsemanship—the only one that I ever witnessed while living in Morocco. Well, the only one with horses, because at Moulay Bouchta a procession armed with old muskets walked to the space before the shrine and put on an impressive display.

Powder play before the sanctuary of Moulay Bouchta.

At the Cherry Festival, the riders lined up their horses on flat ground, spurred on their steeds, and galloped down the field waving their muskets before firing salvos into the air,

One of the riders. Photo by Gaylord Barr. 1968
Getting ready for the ride.
Loading muskets.
Getting ready.
Galloping down the field.
Firing their muskets.
And then reloading while regrouping.
Many of the riders were older tribesmen, wealthy enough to keep a beautiful horse.
There were several runs up and down the field.
Some charges had more participants than others.
Getting ready to fire.
Discharging their muskets at full gallop.
And always producing clouds of dust.

The photos in this blog piece present the Cherry Festival as I saw it, both as a newcomer to the country, and then as one who had lived in Sefrou for a couple of years. State and county fairs are common in the US and Canada, wherever agriculture is important, but I have never visited the Niagara County Fair, in Lockport, NY, close to where I live. Fairs are not for me, though attendance at the Canadian National Exposition in Toronto, Ontario, was a highlight of my childhood because I loved the amusement rides of the midway and the foods.

The Cherry Festival was great fun. In June the weather was always fine. The ville nouvelle was crowded. The entertainment was interesting. And friends visited from all over the country. That said, years later, at now home again, I do not go to the Peach Festival in Lewiston, NY, just 12 kilometers away, nor to Lewiston’s Smelt Festival, a much smaller affair celebrating a small but tasty fish that runs up river in the spring. I think that fairs are for the young, the exhibitors, and vendors and merchants. But the Cherry Festival is now recognized by UNESCO as a part of the national heritage of Morocco. If you happen to be in northern Morocco in June, you should think of attending. At the very least, you will have the pleasure of seeing crowds of Moroccans enjoying themselves. When I lived in Morocco, life was difficult for many and holidays were opportunities to celebrate with friends and family. I imagine that in that respect nothing has changed at all.

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Author: Dave

Retired. Formerly school librarian, social studies teacher, and urban planner.

7 thoughts on “The Cherry Festival”

  1. What a fascinating glimpse into times past! I love the photos. That must have been some work transferring all you old slides to digital format. I bet you’d love to see what the festival looks like now. Hopefully the same as you saw it and the same as it has been for decades before that. Thanks for sharing.

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    1. Thank you, Pete. The digitizing takes time, though it can be automated. One of the other contributors to this blog, Don Brown, farmed it out to a service, and he seems to be happy with the results. He probably has 100x more slides than me, as well as a busier life, so that option makes sense.

      I have a fair number of color negatives, and a few black and white ones, and still have to do them if I can find them. They are scattered in the detritus of my life—maybe a good representation of the flotsam and jetsam that washes ashore from the currents of memory.

      As my old friend, Jim (and erstwhile partner in this endeavor) said the other day in an email, he didn’t have a camera back then and film was so expensive. I like to think that some of the photos will connect others to memories that they hold dear.

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  2. I was having a hard time replying. Thanks for doing this Dave. I, too, was in Meknes for the Mouloud. Perhaps not the same year, I don’t remember, but I remember clearly being moved along by the throng of people to the courtyard of the sanctuary and being roughly disguised as a Moroccan I entered to find a very strange ritual in progress involving a lot of people. but what I remember the most was a kind of epiphany watching a solitary man surrounded by a few gita players and a crowd of onlookers. He was dancing about randomly but in a very relaxed manner. After a while he picked up a pair of very actively flaming torches and proceeded to slowly cross them back and forth across his chest, the flames licking all around his face ( he had shoulder length hair and a full beard). He did this multiple times and never was a single hair singed. I was one of those wide eyed, open mouthed onlookers! I will never forget that and to this day it makes me emotional on the rare occasion that I will tell that story to someone.

    Sam

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    1. What a great comment, Sam! We shared something very special, I agree. So happy to hear from you and know you are alive and kicking. So is Jim, I’m sure, who deserves much of the credit for this blog.

      Dave

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