Love in Times of War

Here in America, Netflix has just premiered a Spanish series, Love in Times of War, which takes place in Morocco in the nineteen twenties, during the Rif uprising by Abdelkrim. Filmed in Morocco, much of the series is situated in the Spanish enclave of Melilla.

Not well known outside of Morocco, except in Spain, the Rif rebellion was an unmitigated military disaster for the Spanish, and an episode of Moroccan history that showcases Berber resistance in the North, never a popular subject with the Makhzen, the Moroccan government. The Rif remains a region where the government is unpopular and its rule is heavy-handed.

The Rif War was marked with corruption and incompetence, and fought with conscripts so poor they sometimes sold their weapons for food and clothing. Against common sense, the Spanish set up a series of forts extending west from Melilla, through the dry hills and rugged mountains of the Rif. Many were located in spots without permanent water sources. In the hot summer of 1921, the Riffians, after warning the Spanish not to advance deeper into their territory, struck simultaneously along the line and cut off each fort from resupply. The rout in the battle of Annual is immortalized in the Spanish novel by Arturo Barea, The Track (La Ruta), part of his larger work, The Forging of a Rebel. Over 13,000 Spanish soldiers died, and for a long time afterwards the Spanish army was confined to Melilla. Barea sought asylum in Britain after the civil war, and his wife and friends helped him translate his autobiographical novel into English. An interesting footnote to this story, Barea lost the Spanish copy after the translation. The Spanish version of his book, La forja de un rebelle, is a translation of its English translation.

In only two battles of the war, the Spanish suffered casualties of roughly 30,000 men. The next disaster was Chauen.

In the retreat from Chauen in 1924, with the weather turning bad and fear that the army would be trapped in the mountains without supplies for the winter, the Spanish attempted withdraw to Tetuan through narrow mountain valleys with poor roads.

The weather was rainy and the road turned into mud. The Riffians waited until the Spanish column was strung out, then attacked along its whole length.

It was a slaughter for the Spanish and a major victory for Abdelkrim. Franco was an officer involved in the debacle. Indeed, Spanish Morocco might be seen as the incubator for the Spanish Civil War.

Abdelkrim’s succes was also his downfall. The French, deciding that he had become a threat to their interests, intervened massively, put down the rebellion, and sent Abdelkrim into exile.

My first encounter with the Rif was early in my Peace Corps service. My job often took me to the pre-Rif as Fes Province extended north.

By the winter of 1968, I was sharing a house in the Sefrou medina (old city) with another volunteer, Gaylord Barr. He had decided that he needed a 35 mm SLR. He had brought over an 8 mm movie camera from home, but found it insufficient. I had been taking color slides, and he wanted to do the same. We decided to hitchhike to Ceuta from Fes. Ceuta was a free port: no taxes. The route was straightforward, north of Fes, along the western edge of the Rif Mountains. It went through the hilly country of the pre-Rif, where I occasionally worked, and by Chauen to Tetuan.

We did it in one harrowing ride. It really was a dark and stormy night. There were rockfalls along the route from the recent earthquake and all the usual mudslides from the winter rains, and the driver had been drinking!

The ride was scary, but we arrived safely in Tetuan and Gaylord got his new camera in Ceuta. Sadly, it got lost on the train crossing Algeria in 1971. Gaylord was a good photographer, but most of his Moroccan slides seem to have been lost.

If you decide to watch Love in Times of War, perhaps you may reflect on the drama playing outside of Melilla today. NPR just feature the story of an African migrant trying to get past the fences and barriers, hoping for refugee status.

In the This American Life program, look for this reportage:

https://www.thisamericanlife.org/641/the-walls/act-one-1

Just Another Kind of Outdoor Game

ByDavid Kestenbaum
There are two tiny Spanish towns on the African continent protected by multiple layers of razor wire, cameras and guards. A man from Cameroon tells producer David Kestenbaum about his attempt to get through the obstacle course and onto European soil. (19 minutes)